Recorded at Wino Lodge .
Numbered edition of 20 comes with a badge
side A 2. side B originally released by Chocolate Monk sometime in 2018 on cassette. tapes are your friends. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Purchasable with gift card. Buy Digital Album. 4 GBP or more. Blood stereo. Find the latest tracks, albums, and images from Blood Stereo. Brighton-based BLOOD STEREO is Chocolate Monk mogul Dylan Nyoukis and his wife Karen Constance, AKA Karen Lollypop also of Smack Music 7, Polly Shang Kuan Band and Ceylon Mange. Stereo Tape - Patti Page. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Stereo Tape. Исполнитель: Patti Page. 4 tracks of raw oscillator are recorded to a cassette loop, then played back stereo through two wiggled echo units. Hiss and clicks are tape on Most Excellent records is, indeed, just that. Great combo of classic KRS Wordcore moves, rejiggered for college town : 1 vastaus 0 uudelleentwiittausta 0 tykkäystä. Chocolate Monk never stops and put out too much to catalog here, BUT if you're gonna pick one, why not this newer BLOOD STEREO gunk 1 vastaus 0 uudelleentwiittausta 0 tykkäystä. Empath Variations - tape loop. Empath Variations. Исполнитель: tape loop. 2018 electronic. Recommended subreddits: rCassetteCulture. Stereo Fuse is an album released by Stereo Fuse on November 5, 2002. All songs written by Jeff Quay except where noted. Everything Jim Ellison 4:17. Seed 4:10. Super Hero - 2:43. Breathe - 3:21. Live Like a God - 3:30. Heaven Inside You - 4:05. Ball and Chain - 3:19. Hey You - 3:24. Trip to Mars - 3:10. Flesh and Blood - 3:30. Allison - 3:40. Everything Jim Ellison - 4:16. Colin Hill - vocals and acoustic guitar. Jeff Quay - guitar. In music, tape loops are loops of magnetic tape used to create repetitive, rhythmic musical patterns or dense layers of sound when played on a tape recorder. Originating in the 1940s with the work of Pierre Schaeffer, they were used among contemporary composers of 1950s and 1960s, such as Steve Reich, Terry Riley, and Karlheinz Stockhausen, who used them to create phase patterns, rhythms, textures, and timbres. Popular music authors of 1960s and 1970s, particularly in psychedelic, progressive and